Why we don’t just design gardens – we help them live on

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Maintenance might be a dirty word to some landscapers, but at Abbotswood Garden Design we believe regular maintenance is what sets a great garden apart from a just-so one – which is why we offer our clients these little extras…

Long-term thinking

While many landscapers walk away from their gleaming designs once the blue print is blooming – Abbotswood take a much longer-term view. We understand that you might not have much time, or that a four-acre garden might be beyond your capabilities, and we continue to offer maintenance as standard after the landscaping has finished. This is because we understand that the very best gardens are created over time, with patience and with care. Instead of filing borders with flowers that will be over in one season, we choose from a wide palette of colours, shapes and seasons that will give long-term, year-round interest. And we ask ourselves: what will those shrubs look like in two, 10, 20-years time? Will that tree need trimming, and will that pond need perking up? Because things grow and change we’re there to grow with them, pruning at the right times, cutting lawns and making sure your garden looks as good, if not better, than when it was first planted.

 

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Acres of experience

Abbotswood Garden Design has been designing and maintaining gardens in and around Cambridge, Saffron Walden, Huntingdon and Newmarket for more than a decade. Because most of these gardens are large (some more than four acres) and belong to some of the region’s most prestigious homes and landmark buildings, we have learnt how to work with complex gardens and understand the intricacies of landscaping and plant care. We also have a passion for problem solving and love the challenge that those awkward spots bring!

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Local know-how

Relying purely on word of mouth from day one (some people call Abbotswood ‘Cambridge’s best kept secret’), we’ve built up a loyal following. We’ve also gained a deep-rooted local knowledge about what works and doesn’t work in the area. We understand the soil, climate, geography and topography of the region and therefore the plants and plans that work best.

Understanding your views

While some landscapers will throw all their efforts into the front garden, we take a wider view – your view in fact. You’re the one who will be looking out into your back and front garden every day, and we take this in to account in our landscaping and maintenance. Our fully collaborative approach to your design doesn’t end at the drawing board; it extends to the maintenance too. So, we won’t let overgrown trees impinge on your favourite vista, we understand that seating areas and patios need to be maintained to keep them functional, and that you don’t want to look out on compost heaps and utility areas. We consider what you want to get out of the garden and what the garden needs to do for you.

Expert plant knowledge

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As well as working in some of Britain’s greatest gardens, Abbotswood’s founder Rob Chew has gained RHS qualifications and is a graduate of the English Gardening School in London. As plantsmen, we bring a wealth of horticultural knowledge to projects: we know our biennials from our perennials, our ground covers from our grasses, and know that good plant husbandry is the key to a flourishing garden, whether that’s tying in climbers, dividing perennials, creating meadows, planting bulbs or clipping topiary. We do the skilful horticultural work, so you can just sit back and enjoy your garden.

A love for loam

We believe good gardens start with good soil. While some landscapers will simply add a layer of mulch on top to give that photogenic look, we know it goes much deeper. We lavish attention on your soil from day one, digging in leaf mould and compost to enrich and support the planting above ground. Give soil some love in those early days and the garden will give back for years.

Greener gardening

Gardening in harmony with nature and not against it is also important to us. Lavishing lawns in chemicals, spraying shrubs and eradiating pests will create imbalance in eco-system of your garden and while it might look pristine initially, you are more likely to get infestations and hard to tackle problems at a later date. Instead we know that by incorporating diversification in planting, encouraging beneficial pollinators, practicing crop rotation and ensuring good housekeeping, we can maintain a garden that is much more able to stand up to the rigours of climate change and other challenges.

Slick scheduling

We remain on top of the practicalities of garden maintenance with rigorous scheduling and time keeping. Just one of our gardens offers a myriad of jobs, but we are fully capable of handling multi faceted projects and getting to grips with seasonal tasks at the right time and in good time.

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My top 10 trees for autumn colour

Foliage takes centre stage over flowers in autumn with trees putting on a glorious show. Here are 10 native and non-native trees that I believe should take a leading role in your garden…

Liquidamber at Cambridge Botanic Gardens this Autumn

Liquidamber at Cambridge Botanic Gardens this Autumn

1. Beech (Fagus syl. 'Asplenifolia')

This tree’s dense canopy is a haven for wildlife (and one of the best trees to find mushrooms underneath), with leaves a must for mulching. Leaves turn from lime green to yellow, and then copper red in autumn. The ‘Asplenifolia’ is a particularly fine specimen and has all the merits of the native species, with delicate dissected leaves that shimmer in the breeze.

Leaves just starting to colour this week

Leaves just starting to colour this week

Use: Not many gardens have room for a fully-fledged beech as they can reach around 40m; so hedging is a great bet. Pruning beech tricks the plant into thinking it’s a juvenile so it retains its orange-brown leaves for longer.

2. Persian ironwood (Parrotia persica)

Stunning autumn colour, with rich purple leaves in spring turning to orange-red in autumn - sometimes with a purple fringe. As well as red flowers in late winter, it also has lovely grey bark, which flakes to reveal pinky-yellow, immature bark beneath. The best autumn colour develops on acid soils but it will still fair well on chalk.

Use: Growing to around 6m high, it’s excellent for small gardens and widely available as single or multi-stem trees.

3. Wild service tree (Sorbus torminalis)

Rarely planted and rarely seen, this tree’s sweeping branches, scaly bark and lobed leaves, like a maple, offers a fabulous orange-russet display in autumn. It thrives in this country, even on chalk soils, and can reach 10-15m high. Scented white flowers form in spring and the edible fruits, called chequers, were once picked like dates and used in beer.

Recent purchase to be planted this Autumn, with strongly coloured leaves

Recent purchase to be planted this Autumn, with strongly coloured leaves

Use: Fast growing and unfussy, it’s a great all-rounder.

4. Maidenhair tree (Ginkgo biloba)

Stunning fan-shaped leaves, and, as the name denotes, the ‘Autumn Gold’ turns a brilliant, amber colour as the seasons change. Keeps its colour over a long period.

Use: A good choice for large gardens, growing to more than 12m high.

5. Wild Cherry (Prunus avium)

The pretty white blossom and bright red fruits of this ancestor of the cultivated cherry have been adding a splash of colour to Britain’s hedgerows for hundreds of years – but it also offers unforgettable colour in autumn.

Use: Preferring alkaline soils, it’s a must-have for our Cambridge gardens and can reach 30m.

6. Tupelo (Nyssa sylvatica)

The black gum tree is a North American native with oval leaves and elegant habit. Leaves turn from fiery purple to red early in the season and give a truly spectacular display. Grows up to 12m.

Use: Native to swampland, these trees needs fertile soil but can tolerate waterlogged sites. A good choice for pond or lake margins, but not one for chalk soils.

7. Field Maple (Acer campestre)

This long-lived UK native has shiny green leaves that fade to rich gold. Foliage and flowers are attractive to aphids and their predators, including the sycamore moth. There are many cultivars with different and dramatic characteristics: I love A.c. ‘Red Shine’.

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Use: Its compact habit makes it a good choice for smaller urban gardens, especially given its tolerance to pollution. As with all maples, the sap can be used to make maple syrup!

8. Spindle (Euonymus europaeus)

Small but perfectly formed, native spindles have glowing orange/red foliage and lipstick red seed heads in autumn, with ‘Red Cascade’ being a particularly fine example. The seeds split open around now to reveal coral coloured fruits, which hang in clusters. The wood was once used to make ‘spindles’ for wool making (hence the name) as well as knitting needles.

Use: Tolerates most soils, including thin chalk.

9. Sweet Gum (Liquidambar styraciflua)

I couldn’t leave this spectacular tree out of my list – even though it doesn't do so well in Cambridge soils! The five-pointed leaves offer gloriously fiery colours and are a season highlight in richer acidic soils. In fact everything about this tree sounds delicious: its spiky fruit ‘capsules’ are known by many names including ‘gumballs’ and ‘goblin bombs’.

Use: Although it can reach 25m, Liquidambar responds well to pruning – it can even be trained – so can be kept in check in medium-sized gardens.

10. Alder buckthorn (Frangula alnus)

Bright, yellow-red autumn colour and attractive fruits, which ripen from red to purple-black. The leaves are a favourite with Brimstone butterfly caterpillars.

Use: At 5m, it is a good choice for small gardens and works well as part of a wildlife hedge.

A wave of euphorbia

Euphorbias have a myriad of hidden talents that make them one of Abbotswood’s best value plants for the garden…

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Euphorbia robbiae with Helleborus x hybridus

Hardy garden euphorbias are the bogoffs of the garden. Buy one and you’ll get twice as much as you paid for. 

Offering winter structure, blousy bracts and foliage colours straight out of a Dulux paint chart – once established they can provide year-round interest, year after year.

Their ability to suit pretty much any soil, location and treatment, depending on the species, makes them a versatile plant for any border.

Spring stunners

Pay more attention to the flowers (or cyathium) of the euphorbia and you’ll notice that they are far from ordinary flowers, with tiny male and female buds surrounded by leaves and bracts, which seen from afar can look like giant flower heads.

Euphorbia oblongata with Cerinthe major

Euphorbia oblongata with Cerinthe major

Looking best when they are left to sprawl, euphorbias need cutting back after the flowers have gone over, removing the whole stem to make space for the new shoots and flowers.

Flowering from December to May, many of the earliest types enjoy partial shade so they’re good for north facing spots. The native wood spurge, E. amygdaloides var. robbiae is a tough evergreen that can tolerate dry soil under trees and makes good ground cover – as well as a fine cut-flower.

Yellow-green E. polychroma also blends beautifully with the blues of the late spring palette and combines well with Pulmonaria 'Blue Ensign'.

Backstage beauties

With so many different types of euphorbia, it’s possible to grow them at the back, middle and front of the border if desired.

Of the big guys, Euphorbia characias subsp. wulfenii and Euphorbia mellifera offer height, around 1.5m, and evergreen structure with golden to lime-green flowers that look stunning as a backdrop for purple tulips or erysimums. Edwardian designer Gertrude Jekyll described wulfenii as “one of the grandest plants”, and at its full height it brings a real sense of architecture to an herbaceous border. ‘Black Pearl’ is also an eye catcher with visible black nectar glands that look like tadpoles on stalks.

For patios and pots

Originating from the Mediterranean, many euphorbias will also grow happily in gravel and can give a flash of colour in a minimalist scheme. E. griffithii ‘Great Dixter’ is a spreading type that offers fiery orange red flowers, while E. Schillingii, or the Schilling spurge, is clump forming.

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Euphorbia griffithii Great Dixter and Saliva sp.

Euphorbia griffithii Great Dixter and Saliva sp.

But the star hogging the footlights at the front of border is definitely E. Purpurea, with its acid green flowers against whorls of purple-pink leaves.

If you don’t have more than a patio, there are even euphorbias for pots. Euphorbia ‘Diamond Frost’ doesn't feel like it's in the same family with its masses of pure white bracts, held aloft effervescent apple green foliage. Though a tender plant, it is perfect for summer pots.

Although you'd be wise to wear gloves and long sleeves when pruning, thanks to the euphorbia’s skin-irritating milky sap (which is also poisonous when ingested), the plants make wonderful cut flowers, provided you soak the stems overnight and sear to stop them leaking.

Providing a colourful and structural backdrop to other flowers in an arrangement, the flowers and bracts are as much a star of the vase as they are of the garden.

Tree choice: why I’m going native

I’ve changed my mind about using indigenous trees in garden designs – and urge everyone to do the same…

It’s not a groundbreaking thought to suggest planting more native trees. Leading designers such as Christopher Bradley-Hole have been advocating the use of indigenous species for years. In fact, I’m a little late to the party.

Like many other gardeners and designers, I’ve restricted the use of native trees to simple screening, within hedge lines or as retained self-set trees. Gardens are contrived and far from natural anyway, so why use a Betula pendula when you can use Betula utlis with its purer, whitewash bark?

It has taken a few events to shift my views.

First, was the impact of the terrible wildfires in southern Europe, and one particular image that showed a Portuguese farmhouse in a charred landscape of eucalyptus. Being an avid Lusophile, I was shocked to see the destruction but also drawn to the oasis of green, made up of oaks, chestnuts and elders around the house, that had remained untouched. The photo illustrated graphically the risks associated with eucalyptus plantings near houses – and how the fire retardant trees formed a protective barrier.

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I’ve also been hearing a myriad of stories about pests and diseases threatening non-native trees this year. At a recent talk about bio security threats by Professor Nicola Spence, UK Chief Plant Health Officer, I learned of a new bacterial disease – the Xylella fastidiosa – that could have a devastating impact on trees and shrubs in the UK.

Professor Spence’s lecture sharply highlighted the impact and influence gardeners and designers have in sourcing and encouraging the import of plants. Many of the plants we use travel thousands of miles and are grown in multiple countries, exposing us to new pest threats.

I must confess to degree of panic on hearing the current level of risk from imported plants. It could be all too easy to call for an all-out ban to protect our beautiful countryside. But pests also thrive in other transported goods: the wood of pallets, via people’s clothing or in smuggled plant material, so it is our connectivity that is the threat, not the plants alone. A ban would be impractical and ultimately ineffective.

Instead, gardeners and designers need to play their part by using more indigenous species. Why not promote the hawthorn from the hedgerow as a worthy stand-alone tree, for example; intermingle Field Maples with Japanese Acers; or use colourful Smoke Trees as that show-stopping accent or focal point? In short, could we bring native trees to the foreground of our gardens rather than keeping them in the shade?

With the physical space of the garden becoming ever-more limited in the UK, native trees offer an opportunity to appreciate and connect us with the countryside. It doesn’t mean rejecting the beauty of exotic trees altogether – after all, many of them may be the future beneficiaries of climate change and biodiversity – but instead, we need to change our view of native trees as ‘ordinary’. We often feel we ought to choose something more unusual, and forget that our own trees have magnificent qualities. Who knows, one day they may even stop your house from being burnt down.

My top 10 Native Trees (suitable for Cambridgeshire)

  1. Field Maple, Acer campestre – Fast growing tree with fabulous butter-yellow leaves in autumn.
  2. Wild Service Tree, Sorbus torminalis – A rare tree with attractive lobed leaves that tolerates shallow chalk, and has striking red leaves in autumn.
  3. Hornbeam, Carpinus betula – Beautiful as a group of trees or standalone specimen; has a gorgeous, tiered shape with attractive leaves.
  4. Walnut, Juglans regia – Some giant specimens exist in this county with attractive silver bark and glossy pinnate leaves.
  5. Betula pendula - Fine white bark, an attractive pendulous shape and small leaves that flicker in the slightest breeze. Beautiful yellow colour in autumn.  It should be high on the wish list.
  6. Hazel, Corylus avenlana – Admittedly, not your classic single stem tree, but its ‘shrubby' character is useful and enables regular coppicing. It also has attractive catkins and yellow leaves in autumn.
  7. Hawthorn, Crataegus monogyna – Often overlooked; simply because it makes up such a large proportion of our hedgerows. It has interesting bark, pleasant flowers, excellent berries, and autumn tints.
  8. White Willow, Salix alba – I look forward to persuading a client to include pollarded willow in a future design. I adore the soft grey green leaves and timeless characteristics of these trees in our landscape.
  9. Wild Cherry, Pruns avium – A noticeable feature in some of the older country gardens we maintain, intermingled with other native trees on boundaries, they grow tall and slender and have beautiful blossom and fine autumn colour.
  10. Holly Ilex aquifolium – For the drier parts of the county. Evergreen, spiky leaves with striking winter berries. Trees can be shaped and are good for screening.

Too mulch of a good thing? We weigh up the pros and cons of mulching

Autumn is the traditional time for our Cambridge gardens to be lavished with mulch – but what exactly is it, why do you need it and can you over do it? Abbotswood investigates…

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1. Compost and coverings: the types of mulch to use

Mulches are basically loose coverings of material laid over cultivated soil. They can be made from biodegradable bark or well-rotted compost, or non-biodegradable materials such as plastic sheets, pebbles or membrane. We also use composted woodchip (a by-product from tree surgery) in our Cambridge gardens, which, after a year or so of composting, is great as a covering for naturalistic woodland style paths. It looks particularly good around trees when a circle is cut in the grass and the mulch is placed at the centre. Another source of reliable weed-free mulch is the composted green waste from wheelie bins, which is very fertile and sets off plants nicely.

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2. When’s best to lay to rest

Mulching tends to happen in the spring or autumn. In spring, it’s an excellent way to retain moisture before the summer sun dries the soil out. It’s best timed just before the major flush of new growth from perennials, however: too early, and you have another generation of weeds to remove. Mulches applied in autumn help lock in the summer warmth and moisture in time for winter. We’ve found mulching at the beginning of winter is also an excellent way to get mulch to break down more quickly, with the weather and the worms doing the hard work for you.

3. Mulching merits

Organic mulches help retain moisture, lock in nutrients and encourage beneficial insets. They can also help suppress weeds, protect plant roots from frost and can even deter pests. We’ve found wood chip are an efficient weed suppressant for larger, less formal areas, as well as newly planted hedge lines. We often use compost from our compost bins as a mulch too and although not as highly fertile as, say, manure, it adds valuable humus, which increases the soil’s water holding capacity (a very important consideration in Cambridgeshire). Research has shown a 1% increase in humus, increases water retention by 160,000 litres/ha. This translates to more than 104,400 gallons per acre.

4. When mulching goes wrong

  • Laid too close to plants, mulch can soften stems and allow disease to set in. Always ensure there is a good gap between stems and trunks and your soil conditioner.
  • Mulching can be a wonderful way to spread weed seeds! With the best will in the world, a compost heap rarely gets hot enough to kill perennial weeds, and small amounts of seed inevitably get blown in too.
  • It’s easy to cover the soil and lose too much, or all, of your free seeding plants such as aquilegia, cosmos and calendula. We find this a real disadvantage in areas where we are trying to create a naturalistic country style garden. In the same way, it’s also possible to bury smaller bulbs such as snowdrops so they either disappear or come up blind. Aim for around 5cm of mulch and replace only when the first layer has rotted away. It’s easy to form a hard crust of thick mulch that seedlings and bulbs cannot penetrate.
  • Overly fertile mulch can also produce sappy, vegetative growth that becomes a magnet for pests and diseases. This is a particular issue with manures and composted green waste – which can also have a strong odour. If you are aware that the mulch is strongly fertile, try not to over do it. A thin layer will suffice.
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A kick-asana sunken garden

In the final part of our Ascot garden diary, we look back at how we designed an unusual outdoor yoga space for the client...

The client wanted somewhere calm and restful between the two wings of the house, where the family could practice yoga. As the lowest part of the garden, this area presented many challenges – not least, the eight manholes that had to be incorporated or removed and some awkward levels to overcome.

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“With water levels already high, we came up with the idea of a cantilevered deck over a serene pool, which offered stimulation of multiple senses and would relate well with an adjacent indoor swimming pool,” says Rob.

“Incorporating Portland stone (which we also used on the terrace), the contrasting plantings included tightly clipped yew in topiary frames, created by a local blacksmith, and structural grasses and bamboo – with inspiration taken from The Irish Sky Garden designed by Diarmuid Gavin at the RHS Chelsea Flower Show in 2011.

“With views of almost the entire garden from this vantage point, we like to imagine our client and her family sitting quietly here and absorbing the transformation that has taken place in this remarkable garden.”

Transformed here ready for a wedding breakfast....

Transformed here ready for a wedding breakfast....

Kitchen garden glamour

In the next instalment of our blog about this summer's garden design project, we explain how we created a practical and picturesque kitchen garden...

Such an extraordinary garden required an extraordinary vegetable plot. The client explained her passion for cooking, and wanted this to extend onto the kitchen terrace with fresh ingredients ready for cutting, all grown in raised beds for easy picking.

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This part of the garden quickly became the hub of the home, combining elements of a potager garden with the formality of a par terre to create year-round interest. At its heart were a series of striking, kiln-dried oak beds, which, like giant Jenga pieces, wrapped themselves around the herbs, vegetables and espalier fruit trees.

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Crafted by a local artisan carpenter, with an unusual hidden locking system and unique curved sides – planed to create undulating, snaking planters – 10 tones of oak were used in its construction and 15 tones of soil were poured into the beds, using 5 metres of conveyor belts and ramps. The finished construction created a striking sculptural centrepiece, which could be viewed from the drive and from the upper floors of the house.

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In for the lawn haul

Turning a car park into a lawn is not a job for the faint hearted, but our experienced lawn man, Steve Kane, took this and the 3,500 sq metres of lawns at the Ascot project in his stride, despite it being one of the biggest areas of domestic lawn he had ever had to deal with.

Once the diggers and dumpers had left, more than 1,000 tonnes of Fawley topsoil (free draining soil from the New Forest with a similar acidic profile) was imported to raise the lawn level to marry in with the new house and provide a large expanse of flat lawn.

But the challenges didn’t end there. “The high water table led the digger to be swamped on more than one occasion and work on the lawn had to be delayed for four months due to the weather,” recalls Steve. “It was frustrating not to be able to finish the job until March, but at Abbotswood our philosophy is planting and turfing needs to take place at the right time, when nature dictates." Fortunately, the client fully understood this approach too and was prepared to wait.

With his 20-plus years' experience developing golf courses and bowling greens for major sporting events under his belt, Steve worked his magic. The end results: swathes of beautifully kept turf and a managed meadow, which created some of the most important vistas of the whole garden. 

Drive to distraction

Driveways are always a crucial part of any garden design – after all, it is the first thing visitors to the house will see – and they always present interesting challenges. The drive at the Windlesham house was no different, partly because it needed to be lowered by 50cm or so to coordinate with the sunken house, and much needed to be done to improve sight lines.

As well as contending with building site vehicles and dust and wash off from the works, we needed to move 15 cubic meters of compost to the site in order to start planting. Bordered by a collection of forsythia and other unremarkable shrubs on one side and dominated by rhododendron on the other, it took four days to prepare the soil, remove laurel hedging and winch out tree stumps.

“We were keen to take account of the woodland nature of the setting, with plants that could thrive in those conditions and continue to support the huge amount of wildlife,” says Simon. “We chose a mix of white spring flowering plants, Amelanchier lamarckii, Allium Mount Everest, foxgloves, geraniums and hellebores, combined with the limes and whites of Alchemilla mollis, Hydrangea macrophylla ‘Zebra' and Heavenly Bamboo, among others.

“The year-round scheme was completed with jeweled plantings that would make the most of the crystal clear autumn light: Fuchsia hybrida 'Mrs Popple’, Anemone hybrida ‘Whirlwind’, pheasant tailed grass Anemanthele lessoniana and a selection of arching ferns.”

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Just how do we design a garden?

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We offer a peak behind the Abbotswood garden design process, showing you the first steps we take in creating dream gardens for our clients…

Consultation

Meeting face-to-face with a prospective client is paramount in establishing the vision for the garden – as well as getting to know each other. This is our chance to see the site for the first time and become familiar with it. It allows us to understand what the client wants from the garden and how they are going to use it. In this first meeting, we’ll look at the basics that will influence the design, such as aspect (i.e. which way a garden faces and therefore which areas will get the most sun and shade), soil quality and light levels.

This is a chance to talk through what is realistic and what isn’t. For example, a client might want a wall in a particular place but we might discover it will pass over the roots of a tree with a Tree Protection order. New garden buildings are important but we can advise on whether they might detract from the ambience of the garden, or make the place feel cluttered. We also like to bring the house and living space into the design equation, looking at how the garden might be used and viewed from the house.

Site survey

Next we’ll conduct a full survey of the landscape, incorporating boundaries, existing buildings, trees and levels. During this stage, we can identify special requirements or major issues that may obstruct the desired design and talk through how we can overcome them. We love a challenge, so we will always come up with creative ways to remove, enhance or screen tricky garden elements such as composting and utility areas, ugly structures or materials not in keeping with the surroundings.

Concealment of boundaries is always a big consideration – but we also like to push the boundaries, perhaps showing the client something they may not have thought about doing. We’ll work with trusted tradesmen to talk through any new architecture or significant structures and come up with an initial concept. We’re looking to maximize the positive attributes of the landscape, capture its spirit and create a design that emphasizes the planting, topography and architecture of the site.

First sketches

Once we have the dimensions of the space and a good idea what the client requires, we can put pen to paper. These days our sketch process tends to be via computer-aided design software. We’ll input the overall shape and dimensions of the garden into a blank document, which is simplified to exclude any of the clutter of the original garden, and model, draft and build the new garden as well as overlay new versions, which can be printed out and discussed with the client. Visuals are a great way to give the client a real feel for the new space – and it’s an exciting time for them to see how their garden might be transformed.

The master plan

While every garden (and client) we work with is different, all our garden designs have common elements at their heart as we work towards a master plan:

·                      We work with overall shapes and key features whether they are buildings, distant views or trees, and look for strong axis linking key points and geometry, whether these are rectilinear or organic shapes. 

·                     We’re looking to create balance and proportion in the garden – either by mirroring sides of the garden, as you would in a formal scheme, or creating hidden balance in naturalistic schemes such as a large tree used to mirror a building.

·                     A unifying scheme is important in garden design. This might be the repetition of certain key plants, or perhaps materials used in the house and reflected in the garden. We often use materials from the locality, to allow the garden to work in harmony with its surroundings.

·                     Colour is one of our strongest design tools. In many gardens we use contrasting colours to bring energy but in others we’re looking to create calm. 

·                     We also want to create movement, and work out how the client will move through the garden, looking at sight lines and vistas. These might be highlighted by focal features such as a beautifully carved gate, a tree, an archway or a fire pit.

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Plant selection

As expert horticulturalists, planting is our specialism at Abbotswood. This can be one of the most fun parts of the project for many clients as they look to inject colour and energy, and perhaps even food production and wildlife, into their garden. We offer clients a mood board, plant list and planting plan so they can visualize the scheme.

We’re a big believer in the ‘right plant for the right spot’ and will hand-select each plant based on soil requirements, aspect, what competition it might encounter and the overall scheme. We want the plants to look good, but we also need them to flourish and grow with the garden. We’ll think about how big the plants might get, how to create year-round interest – not just a flush of flowers in summer – and also how foliage, bark, structure and seeds/fruits might also contribute. Sometimes we will suggest mature plants, such as fine specimens of trees and shrubs, which will give immediate impact.

We’ll consider how the plants will be viewed from different angles. It’s no good putting a delicately scented flower at the back of the border, for example, where it won’t be fully appreciated, or a tree with fabulous autumn colour behind a bank of evergreens. And the functionality of a plant is important. Perhaps it will offer fruits or nuts, summer screening or a fabulous wild ecosystem in a once barren space. It’s wonderful to see how a well-designed garden can transform a home, and indeed a lifestyle.                   

We’ll consider how the plants will be viewed from different angles. It’s no good putting a delicately scented flower at the back of the border, for example, where it won’t be fully appreciated, or a tree with fabulous autumn colour behind a bank of evergreens. And the functionality of a plant is important. Perhaps it will offer fruits or nuts, summer screening or a fabulous wild ecosystem in a once barren space. It’s wonderful to see how a well-designed garden can transform a home, and indeed a lifestyle.         

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From tennis court to island paradise

In part two of our Ascot garden design diary, we reveal how the Abbotswood team overcame the challenging terrains of a tarmac tennis court, waterlogged lawn and acid woodland…

One of the major excavations in the early stages of the project was the removal of the garden’s most prominent feature – an overgrown tennis court surrounded by 25m of 15m high leylandii.

“In our initial draft we toyed with the idea of keeping the court and providing some better screening, but it became apparent it was in a bad state and the client was not sure it was needed so it was suggested it should be removed,” adds Rob. “Ultimately, this became one of the best decisions for the whole project as it freed up the garden to make an uncluttered landscape maximising the views of the surrounding mature trees.”

It took a fleet of 20-tonne muck-away lorries, multiple 14-tonne diggers and tracked dumpers to level the surface – and two days to remove the towering trees. Always striving to be as environmental as possible on our projects, we used soil recycled from the building site to fill the gaping hole and reused a 3m high pile of wood chips generated by the leylandii for mulches and paths. The whole area was recontoured with imported retained soil, creating sinuous, organic shapes to overcome the rectangular impression. Throughout the project, we advocated keeping as many of older trees – Scots pine, birch, oak, beech – which surrounded the site as they gave a sense of permanence, with roots in the former landscape.

It was during the tennis court excavations that we discovered the garden had a high water table – which made it prone to water logging – and the dampness of the site was further exacerbated by the roof of the newly emerging house, which currently had no gutters, which was disgorging its contents onto the lawns. With acid soil to boot, any plantings would need to be able to withstand the rigours of this difficult footing and also be eye-catching; after all, this part of the garden formed the main views from the house.

“We designed a series of island beds, which would subtly divide the expansive lawn and create mystery. These acted like an ‘entrance’ to the rest of the garden with plantings that included large clusters of winter flowering heathers and shuttlecock ferns, as well as ornamental grasses that mirrored the plantings on the terrace and the meadow beyond, interspersed with specimen trees and shrubs.”

Trees that could cope with the poorest conditions were selected for the wettest ground, such as Taxodium distichum and Metasequoia glyptostroboides, and these formed the nucleus of our planting in this area, which we came to call the ‘Pinetum’. The swamp cypress was also chosen because of its striking, coppery foliage in autumn, which would contrast with the existing conifers.

“Another key planting was a large copse of 35 white Himalayan birch, whose ghostly stems shone brightly from the surrounding backdrop of rhododendrons. We partnered these with warm, contrasting orange/red stems of Cornus sanguinea,” says Rob. “Our intention was always to plant large specimens that would seamlessly blend old with new.”

 

Find out how we turned a dangerous drive into an enchanting entrance in the next chapter of our Ascot diary, coming soon…

 

 

 

From beast to beauty: highlights of our biggest ever project

In June 2017, Abbotswood Garden Design put the finishing touches to its most ambitious project to date, a five-acre Ascot garden – transformed from swampy building site to serene sanctuary over two years. Here, in the first of six blog posts, we share some of the highs and lows…

Designing in virtual reality

It was March 2015 when our Windlesham client first approached us about designing a new garden – and the project was fascinating from the outset. Both in their late 60s, the clients had decided to knock down a turn-of-the-century country house, in which they’d lived for more than 30 years, to build a modern house more suited to their needs, so when we arrived in April all that remained was the crushed debris of masonry and brick.

Before

Before

“It’s normal for designers and landscapers to design round a house, or at least let builders finish their work before proceeding,” says Abbotswood managing director Rob Chew. “But with so much needing to be done on the landscape it was agreed we should start work straight away even though the central focal point – the house – had yet to be built!” 

The first meetings with the client, therefore, were not so much about our plans but looking at computer rendered house plans – imagining how the new house would sit in the landscape. The connection between the house and the garden is a crucial part of any garden design, so we worked closely with the luxury interior design and architecture firm Janine Stone, who personally worked on the exterior architecture, and its designer Simon Foot, who handled the interiors, to ensure the garden was fully integrated into the space.

After

After

“The new house was to be sited close to the original but orientated better so the windows would offer sweeping views of the garden. While the garden was little used previously, the client explained that it was now a big priority – they wanted a garden that was neither pretentious nor high maintenance and above all, looked good all year round from the expansive windows,” says Rob. “Given the complexity of the two-year build, it was with more than a little apprehension that we set about drawing up plans!”

 

Find out more about how we began transforming the Ascot garden in the second installment of our project diary, coming soon…

Grow an edible hedgerow

Make your hedges work twice as hard – and look good enough to eat – by incorporating trees and shrubs that are decked with edibles. We share our favourite scrumptious screenings…

Let’s face it, not everyone has Mr McGregor-enthusiasm for edibles. And when it comes to fruit, it can seem out of reach – especially if space is at a premium.

But here at Abbotswood we’ve been recommending that our Cambridge clients ‘grow up’! Not in an insulting way, of course, but with a spot of vertical allotmenting.

While hedges are often thought of in purely practical terms, used as visual screens, noise barriers or to green up unsightly boundary lines, few of us consider the possibility of adding edibles into the mix.

Training fruit bushes, nut trees and aromatic herbs into hedges utilises valuable vertical space and takes up less room than conventional plantings. Planted as bare roots before mid-March, they can be inexpensive and easy to plant.

What’s more, these living walls allow you to forage as you would on a countryside verge, without setting foot outside your garden gate.

What to consider

Lots of edible plants can be trained and clipped. It pays to think seasonally, however, and choose plants that will give you interest year round. Think: winter pickings from blackthorn for sloe gin, elderberry for spring flowers and autumn berries, and dog rose for summer flowers and autumn hips.

A mixed hedge, made up of lots of different species, might be trickier to maintain as each shrub or tree will need a specific style of pruning to stay productive. However, they can look glorious on a dull boundary, attract all manner of wildlife and give the widest possible pickings.

If your hedge is used for screening, you may also want to consider having more edible evergreens in the mix. Olives, for example, stay partially leafy for most of the year unless the temperature really dips.

Fragrant fencing

Herbs can offer a loose, low growing but highly aromatic hedge. Great for flowerbed edges or graveled or decked areas, and wonderful to brush past in the height of the summer.

Try lemon balm, bay or rosemary, which can get quite big if left to romp. Or zesty aloysia citrodora (lemon verbena) and Myrtus communis subs tarentiana. The latter can look beautiful as a hedge with its leathery, evergreen leaves and edible white berries. Coloured sages and thyme also keep their shape well.

Coming to fruition

There’s nothing better than collecting punnets of fruit from your own garden too. Step over fruits that have been horizontally cordon trained are ready-made border boundaries. The best results come from spur fruiting apples trees, which you can grow from maiden whips (essentially one year old trees with no side branches). Tie the whip to a post, allowing 2m between trees, and gradually bend the tree onto horizontal wires. Be patient – it can take a whole growing season!

Damsons are excellent too. Hardier than plums they can create a fruitful windbreak up to 4-5m high. Like most stone fruit they’ll require a soil with a high pH so consider adding some general-purpose fertiliser to the planting hole and a bit of lime.

Other fruiting trees such as crab apple and quince also work well. Crab apples offer pretty, pink-budded blossom and white flowers before the fruit. The miniature apples can be made into jelly or mixed with other apples for juicing.

Chanomoles forms of quince form a dense hedge. Pink Lady has superb colour and tiny yellow fruits, which make lovely jellies and jams, or pies and crumbles when combined with other fruit.

In the semi shade of a hedge it is possible to grow raspberries and gooseberries, and redcurrants and black currants grow well as a hedge, thought the crop tends to be smaller. Loganberries are good option as they trail over a large distance, as are cultivated forms of blackberries.

Or you could go nuts! As mixed or single species hedges, hazels have a lot to offer. Lime green foliage, which turns orange in autumn, golden catkins and of course nuts. For a good harvest, ensure you don’t nip off the female flowers (which appear close to the catkins) when trimming.

 

Petal shaped perimeters

On many plants the flowers that precede the fruit can also be edible. Fuchsia splendens, for example, has a citrusy tang, while ‘Ballerina’ can reach up to 3m high.

And though elder is often grown for its berries, the flat, creamy flower heads also make a wonderful ‘champagne’. The plants have the benefit of being fast growing too, and can come into leaf as early as January.

As with all hedging, consider a dose of mycorrhizal fungi in the planting hole to get them off to a good start. Mulch in summer when the weather heats up and keep them well watered.

And the golden rule with any hedging is to plant as if they are fully grown specimens. Give them plenty of room to spread and they will reward you with lots of growth, and more importantly, lots to eat!